Contemporry artist Fatimah Tuggar Essay Example | Topics and Well Written Essays - 1250 words

Contemporry artist Fatimah Tuggar - Essay ExampleThese throws happened to be digitally made and reveal their constructed nature to indecision todays commercial system of representation and how cultural image is formed. Fortin, 2001Tuggars sculptures entangle real images, primarily domestic ones, which include a leather cushion setting arrangement, a make-up holder, a Calabash bowl, a cap fan, an old-fashioned radio, writing tables and dowery plates. Thus, they are pulled into three dimensions. Fatimah manipulates these objects which continue to function but in a re-informed social content and personal history.Fatimah Tuggar digitally combines photographs of her native Nigeria with images of the West (taken from fashion magazines, mail-order catalogues), thus, creating art plant which raise questions of self-identity and cultural differences. Her works reflect her place in both American and African society.Instead of creating simple binary oppositions, she looks most at cultural n uances she looks betwixt the cultural products and structures to better understand how media technology influences and affects the daily lives of people. She says, that she focuses on the internal relationships of the individuals in spite of appearance the image, tempered by the surrounding power structures. Kino, 2001Sylvie Fortin, the investigator of Fatimahs creations, stays that her digital montages combine sections of images that are garnered from both distinct sources. A first one is considered to be shot in the artists travels in Northern Nigeria and elsewhere - they betray varying degrees of intimacy and immediacy. The second, boundless virtual bank of found images includes the vast script of westbound print and electronic mass media of the last 70 years. That is cinema, travel and fashion and lifestyle magazines, television, advertising and the web. In most cases, the works conceptualization is launched by the artists photographs, where the retrieval of a public image f ollows, thus, creating the intersection of two image systems on its surface. Fortin, 2001Fatimah Tuggars work, or her digital imaging, is a tool, a method, and a metaphor for genetic manipulation its as well as a site for the nuanced public negotiation of performances of African contemporaneity. Her Money and Matter is made up of series of nine images that get wind the relationship of human beings to capital, both on a personal level and from a social perspective. She uses sport technologies as a vehicle for commentary on various and conflicting histories, journeys and materials of her experience. Money as a symbol, is both a subject and object of what people desire and fear. The main theme is the tension between the moneys power gaming and elements of distraction and the substance of what matters in peoples lives. Here she presents the dynamics of money and matter. In Lady and the Maid the scope